Various video protraits
A series of portraits though video (2019-2020)
THE IMPRINT IT LEAVES
This self-protrait studies the bounderies of one’s own body and the imprint it leaves in the spaces it inhabits. This self portraiture is also an attempt to depict the body as the surface in which it’s evironement - more specifically nature - continuously draws it’s self. Ultimately, it is a reflection on interdepence.
Mexico, May 2019.
This self-protrait studies the bounderies of one’s own body and the imprint it leaves in the spaces it inhabits. This self portraiture is also an attempt to depict the body as the surface in which it’s evironement - more specifically nature - continuously draws it’s self. Ultimately, it is a reflection on interdepence.
Mexico, May 2019.
Familiar - Colaboration with Valeria Olviedo for #NotesIshouldKeeptoomyself
Photography by Antoine Sonnery.
Ghosts of my past came to visit
Whispering old melodies into my ears,
This time it was your voice singing them.
It’s not your fault that I know the lyrics.
but you chose to pick up the microphone.
Photography by Antoine Sonnery.
Ghosts of my past came to visit
Whispering old melodies into my ears,
This time it was your voice singing them.
It’s not your fault that I know the lyrics.
but you chose to pick up the microphone.
DUNES D’OUBLI
This video piece aimed at portraying seemigly empty places, those that hold space for matamorphosis by virtue of their actual vastness.
Veracruz, Mexico. May 2019.
Camera by Anna Kremneva
This video piece aimed at portraying seemigly empty places, those that hold space for matamorphosis by virtue of their actual vastness.
Veracruz, Mexico. May 2019.
Camera by Anna Kremneva
PUSH (A) VOID
Bacelona/Miami, Arpil 2020.
Corinne Spitalier and Gabrielle Sheerer.
Birthed from a seemingly simple task of researching ‘push and avoid’ in the context of movement, we found the study of this basic action of physics could lead us to a place of deep curiosity. An unexpected early physical separation sparked the initiative to rethink this practice. We found this space not really empty, just wide and we hoped to implore our artistry to sculpt the space in between, regardless of the scale.
Bacelona/Miami, Arpil 2020.
Corinne Spitalier and Gabrielle Sheerer.
Birthed from a seemingly simple task of researching ‘push and avoid’ in the context of movement, we found the study of this basic action of physics could lead us to a place of deep curiosity. An unexpected early physical separation sparked the initiative to rethink this practice. We found this space not really empty, just wide and we hoped to implore our artistry to sculpt the space in between, regardless of the scale.